La Venganza Será Terrible - 13 de septiembre 2024 - LVST 13/9/24 

Más episodios: LaVenganzaSeraTerrible.com

• La convivencia: catálogo de cosas que no hay que hacer
• Artemisia Gentileschi: pintora 
• Peligros en la carpintería

How did Artemisia Gentileschi become the first woman to be elected to Florence's Academy of Arts? And why did she end up in London working as court painter to Charles I? Join Alastair and James as they explore how Artemisia continued to forge her own path in the final decades of her remarkable life.

If you would like to see the artworks being discussed in this podcast, switch to video in your podcast app at anytime.

Artworks in this episode include:
Artemisia Gentileschi, Self-Portrait as Saint Catherine of Alexandria, c. 1616, National Gallery, London
Artemisia Gentileschi, Judith Beheading Holofernes c. 1620, Uffizi Gallery, Florence
Orazio Gentileschi, Judith and Her Maidservant with the Head of Holofernes, 1624, Wadsworth Atheneum, Hartford
Caravaggio, Judith Beheading Holofernes c. 1599, Galleria Nazionale d'Arte Antica, Rome
Artemisia Gentileschi, Self-Portrait as an Allegory of Painting, c. 1638, The Royal Collection

To see images of the artworks in this episode go to heni.com/storiesofart or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks

Hosts: Alastair Sooke and Dr James Fox
Additional Research: Catherine Ingram
Producer and Editor: Ben Harding
Executive Producer: Emma Cahusac

Chapters

• 00:00:00 Introduction: The Spirit of Caesar in the Soul of a Woman
• 00:02:34 Judith Beheading Holofernes
• 00:09:25 The Revenge Debate: Art and Biography
• 00:14:38 The Love Letters: Francesco Maria Maringhi
• 00:21:14 Return to Rome and Marriage Breakdown
• 00:23:03 Venice and the Plague: Moving Through Italy
• 00:27:11 Naples and the Cabal
• 00:33:20 Journey to England: Painting for Charles I
• 00:35:07 The Self-Portrait: Artemisia or Prudentia?
• 00:39:00 Final Years in Naples and Legacy

Om konstnären som under 1600-talet erövrade Europa med sitt måleri. Hon genomlevde både övergrepp och smutskastning, men hennes driv gick inte att kväsa och hon målade sig rakt in i konsthistorien.

Lyssna på alla avsnitt i Sveriges Radios app.

Redaktionen för detta avsnitt består av:

Elina Perdahl - programledare och manus

Emilia Mellberg - producent, research och manus

Zardasht Rad - scenuppläsare

Viktor Bergdahl - ljuddesign och slutmix

Medverkar gör också Alexandra Fried, lektor i konst- och bildvetenskap vid Göteborgs universitet och medskapare till Konsthistoriepodden.

Vill du veta mer om Artemisia Gentileschi? Här är några av de böcker som ligger till grund för avsnittet:

Artemisia Gentileschi av Jonathan Jones

Artemisia Gentileschi the language of painting  av Jesse M Locker

Artemisia Gentileschi  av Sheila Barker

Melvyn Bragg and guests discuss the ideals, exponents and legacy of Romanticism. In the space of a few years around the start of the nineteenth century the Romantic period gave us: Wordsworth, Coleridge, Blake, Burns, two Shelleys, Keats, De Quincey, Carlyle, Byron, Scott… the list goes on and on. And the poems: The Rhyme of the Ancient Mariner, Ode to a Nightingale, Tintern Abbey, Ozymandias, Don Juan… they make up some of the best known and most enjoyed works of literature in the English language. How do we explain what seems to be an extraordinary explosion of talent? Were the Romantics really a movement with their own philosphy and ideals? And when its adherents often died so tragically young, and its poems often seem so steeped in nostalgia and so wrapped in the transcendental, is Romanticism really good for you in a modern world? With Jonathan Bate, Professor of English, University of Liverpool; Rosemary Ashton, Professor of English, University College London; Nicholas Roe, Professor of English, University of St Andrews.

Das Inzesttabu ist ein in Mythen, Dichtung, Musik und Film immer wieder kehrendes Motiv. Sigmund Freud entwickelte seine Psychoanalyse vor allem anhand literarischer Texte. Aus der Tragödie "Ödipus" des antiken Dichters Sophokles leite er den menschlichen für die Entstehung von Kultur ausschlaggebenden Trieb ab. Autor: Frank Halbach

Credits
Autor/in dieser Folge: Frank Halbach
Regie: Frank Halbach
Es sprachen: Katja Bürkle, Stefan Wilkening, Sven Hussock
Technik: Andreas Lucke
Redaktion: Susanne Poelchau

Das Manuskript zur Folge gibt es HIER.

Im Interview:
Dr. Gesa Dane, Literaturwissenschaftlerin mit einem Forschungsschwerpunkt auf Rechts- und Kulturgeschichte

Diese hörenswerten Folgen von radioWissen könnten Sie auch interessieren:

Pionierinnen der Psychoanalyse - Von wegen Penisneid
JETZT ANHÖREN

Sophokles - Dichter im Dienst des Dionysos
JETZT ANHÖREN

Die Sphinx - Halb Löwe, halb Mensch
JETZT ANHÖREN

Und noch eine besondere Empfehlung der Redaktion:

Salman Rushdie: Shalimar der Narr
Eine Liebe in Kaschmir, ein Attentat in Los Angeles: Rushdies opulentes Epos verbindet persönliches Drama mit globalen Machtkämpfen nach 9/11. Gert Heidenreich liest den neunten Roman des Friedenspreisträgers 2023 in 7 Folgen.
ZUM PODCAST 

Literaturtipps:

Dagmar von Hoff: Familiengeheimnisse: Inzest in Literatur und Film der Gegenwart (Literatur - Kultur - Geschlecht: Studien zur Literatur- und Kulturgeschichte. (Ehem. Große Reihe), Band 28.

Sigmund Freud: Totem und Tabu. Einige Übereinstimmungen im Seelenleben der Wilden und der Neurotiker. In: Ders.: Gesammelte Werke. Chronologisch geordnet. Bd. 9. Hg. v. Anna Freud u. a. Imago, London 1940.- 8. Aufl. S. Fischer, Frankfurt am Main 1986.

Klaus Thraede: Blutschande (Inzest). In: Reallexikon für Antike und Christentum. Supplementband 2, Lieferung 9. Hiersemann, Stuttgart 2002.

Wir freuen uns über Feedback und Anregungen zur Sendung per Mail an radiowissen@br.de.

RadioWissen finden Sie auch in der ARD Audiothek:
ARD Audiothek | RadioWissen
JETZT ENTDECKEN

Konzept, Texte und Sprecherin: Helga Utz

Sprecher: Aart Veder

Ton: Jörg Behrens/klanggestaltung.de 

In dieser Folge beschäftigen wir uns mit dem Motiv des Erkennens und des Wiedererkennens, das bei den Griechen eine zentrale Rolle spielte. Die Selbsterkenntnis, das ERKENNE DICH SELBST, das jeden Besucher eingemeißelt in Delphi empfing, war für sie die Voraussetzung für ein gelungenes Leben.

Episodenbild:

René Magritte, La reproduction interdite, 1937

Link: ps://3minutosdearte.com/wp-content/uploads/2018/09/Magritte-la-reproduction-interdite-1937-e1537042425546.jpg 

Gemeinfrei : https://en.wikipedia.org/wiki/Public_domain

Podcast-Titelmusik: Kostas Bezos, „Stin ypoga“, Aufnahme 1930 von T. Dimitriadis in Athen (for Victor USA shellac record) Used with kind permission by F.M. Digital Tunes Ltd. FM Records - 

Podcast-Logo/Icon: „Junger Satyr mit Silen-Maske“; es handelt sich um eine antike Skulptur, die Alessandro Algardi 1628 restaurierte und ergänzte

Wir freuen uns über Kommentare via Email an: utz@oper-unterwegs.at

http://www.oper-unterwegs.at

Liv is joined by debut author Meagan Cleveland to talk THEBES... And her new YA novel, Riddles of the Sphinx, about Oedipus' underrated daughter/sister, Ismene. Follow Meagan on Instagram. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!

CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.

Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.

Hosted on Acast. See acast.com/privacy for more information.

In the last lecture of the semester, Professor Kozlowski discusses Oedipus Rex.

Why was Thebes the way it was? Why was the Sphinx sent there, and was it Laius' fault? We're looking at all the Sphinxian background to Oedipus Tyrannos. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!

CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.

Sources: Oedipus Tyrannos as retold in the past three episodes; Early Greek Myths by Timothy Gantz; Theoi.com entries on The Sphinx and Chrysippus.

Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.

Hosted on Acast. See acast.com/privacy for more information.

这期调戏栏目我们分享古希腊悲剧作家 Sophocles 的经典名作 Oedipus Rex「俄狄浦斯王」，我们观看的是 1957 年 Tyrone Guthrie 制作的版本。

Youtube 资源

本期节目的编辑推荐是

美剧 Fallout 辐射 第一季

非虚构 「燕食记」，葛亮

非虚构 Magus by Anthony Grafton

Hosted on Acast. See acast.com/privacy for more information.

This week, Andrea, Matt, and Brandon continue their discussion of the Oedipal Cycle with Oedipus at Colonus. The hosts are forced to reflect upon and reevaluate their thoughts on Oedipus Tyrannus in light of this second play.

You can start sending your questions on the first two plays(or any other comments and questions) to podcasts@circeinstitute.org.

Hosted on Acast. See acast.com/privacy for more information.

Join Andrea, Matt, and Brandon as they start their discussion of the Oedipal Cycle with Oedipus Tyrannus, often called Oedipus Rex or Oedipus the King. Of the 3 plays, this plot is the most familiar, even to those who haven't read it. But Sophocles doesn't give it to us straight. through devasting revelation, he produces a tragedy that Aristotle would later hod up as the standard in his Poetics.

Hosted on Acast. See acast.com/privacy for more information.

 ... Welcome to Episode 21, Oedipus & the Sphinx.. 

This episode features the story of Oedipus, an extraordinarily tragic figure in Greek mythology who tries to do his best, but is bested by the Fates. 

He meets the Sphinx—not the Egyptian version but the divine sphinx that terrified the Greeks in the city of Thebes. She killed man after man by posing impossible riddles. All who failed to answer correctly were promptly eaten alive. 

Although Oedipus prevails, he cannot escape his dismal destiny ...

Narrated by mythologist and best-selling author, Patrick Garner, Garner's Greek Mythology is unlike any other Greek history series.  Here these divine beings are viewed as if they were anything but mythical...

If you love these podcasts, you'll also enjoy new stories about the gods in Garner's novel Homo Divinitas, now available as an audio book on Amazon.com and Audible.com.

Feedback? Send me a text!

Support the show

Email any suggestions to patrickgarner@me.com

As the Artistic Director of Theater of War Productions, Bryan Doerries has joined his colleagues in using dramatic readings and community conversations to confront topics such as combat-related psychological injury, end-of-life care, radicalized violence, incarceration, gun violence, domestic violence, sexual assault, the refugee crisis, and addiction. In this episode, he joins Jacke to talk about his new translation of Sophocles' Oedipus Trilogy, his vision for contemporary theater, and how classic texts and age-old approaches to literature can help individuals and communities heal from trauma and loss.

Interested in Theater of War Productions? Want to learn more? Learn about upcoming events and sign up for their mailing list at theaterofwar.com.

Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature.

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In this episode we take the oft quoted idea of the Oedipus Complex and find out its origins in Sophocles’ tragedy Oedipus Rex.

Armand and Jimmy first present a handy guide to the key points of the story, then explore how we believe the themes of the play might have been received by its audience at the time, as well as current thinking on how plays such as this were presented to their audiences in ancient Athens.

Main text explored: Oedipus Rex by Sophocles

Presented by Armand D’Angour and Jimmy Mulville

Produced by Diggory Waite

A Hat Trick Production

For more on the charity Classics For All, who support state schools to introduce or develop the teaching of classical subjects sustainably on the curriculum or as an after school activity, visit www.classicsforall.org.uk

Hosted on Acast. See acast.com/privacy for more information.

The story of Oedipus is reimagined by IRM on the “Oedipus Dethroned” CD on Cold Meat Industry from the turn of the century. This is a power electronics concept album that utilizes classical symbols and icons to create something beyond its parts. The stage is set and the mannequin is on the table ready for the surgeon.|

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Recent Listening:
Merzbow/Prurient “Black Crows Cyborg”
Merzbow “Space Metalizer”
Merzbow “Pulse Demon”
Etant Donnes “Mort Aux Vauches”
Z’EV “Elemental Music”
Tongue Knax “Venus”
Due Process “Combine I-XVIII”

Oedipus defends himself against the accusations, but there's much more to the death of Laius than he understands... Plus, gods so many prophecies! Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!

CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.

Sources: Short excerpt from Homer's Odyssey, translated by Samuel Butler; Oedipus Tyrannos (sometimes called Oedipus Rex or Oedipus the King): short quotes are from the translation by Frank Nisetich, passages quoted from Richard Jebb translation. Other editions/translations referred to: David Mulroy, and Robert Fagles.

Hosted on Acast. See acast.com/privacy for more information.

A beloved king becomes reviled by his family and his people as previously hidden dark deeds come to light.  A young woman loses her innocence and freedom through the machinations of the lord of the underworld.  The timeless ancient Greek stories of King Oedipus and Persephone captured the imagination of Igor Stravinsky, a composer unafraid to present drama in new and unexpected formats.  Join Opera for Everyone as we explore the characters, and the powerful music of these two short operas.

Hosted by Pat and Kathleen Van De Wille

Turns out a story of a man murdering his father and marrying his mother is actually supremely complex and the characters are incredibly sympathetic, who knew? Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!

CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.

Sources: Short excerpt from Homer's Odyssey, translated by Samuel Butler; Oedipus Tyrannos (sometimes called Oedipus Rex or Oedipus the King): short quotes are from the translation by Frank Nisetich, passages quoted from Richard Jebb translation. Other editions/translations referred to: David Mulroy, and Robert Fagles.

Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.

Hosted on Acast. See acast.com/privacy for more information.

We know the “Oedipal complex,” but how well do we actually know the Oedipal Plays? This set of three plays is a real Star Wars situation, with prequels and sequels and also lots of feuding. Come for the high school theater stories, stay for the political commentary. This one is a wild ride.

Content Warning: This episode contains conversations about or mentions of death, suicide, incest, self-harm, war, kidnapping, and violence.

Housekeeping

- Recommendation: This week, Amanda recommends 

- Books: Check out our previous book recommendations, guests’ books, and more at spiritspodcast.com/books

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In the finale episode of Sophocles' Tyrannos... Well, everything we all know is coming, comes out... Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!

CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.

Sources: Oedipus Tyrannos (sometimes called Oedipus Rex or Oedipus the King): short quotes are from the translation by Frank Nisetich, passages quoted from Richard Jebb translation. Other editions/translations referred to: David Mulroy, and Robert Fagles.

Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.

Hosted on Acast. See acast.com/privacy for more information.

Abby, Patrick, and Dan get into the great Oedipal drama of our times: Succession. They discuss a ludicrously capacious number of versions of the Oedipus story; the development of the Oedipus complex throughout Freud’s writing; Freud’s notion of the primal father and the band of brothers who gather together to overthrow him; the real-life billionaire primitive accumulation monster dads who want to reverse-age themselves and live forever; Succession’s Oedipal double binds and Oedipal victories; how the show thematizes patrimony, inheritance, and destiny; what it is to have “the phallus” (and why the Roy kids don’t have it); Shiv as thwarted phallic mother; and Kendall’s symbolic castration.

The Atlantic article referenced in the episode is, “The Secret Fears of the Super Rich,” by Graeme Wood: https://www.theatlantic.com/magazine/archive/2011/04/secret-fears-of-the-super-rich/308419/ 

Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you’ve traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107

A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:

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Theme song:
Formal Chicken - Gnossienne No. 1
https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO
Provided by Fruits Music

On today's episode, Junius and Wesley discuss the timeless world of Greek tragedy! They explore the profound themes and dramatic elements of Oedipus Rex by Sophocles and Aristotle's Poetics. Gain insights into the complexities of fate, tragedy, and catharsis in these classical works. Whether you're a literature enthusiast or a student of ancient philosophy, this discussion promises to deepen your understanding of these literary masterpieces. Subscribe now and embark on a journey through the classical mind.

Meet Oedipus. He's the main character in one of the world’s oldest stories. He lived a long time ago and he did some pretty bad things. But was it his fault or was it fate? Was there anything he could have done to avoid tragedy? Join Molly, Carl and Matt as they sing their way through an ancient tale of terrible misfortune. 

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. 

"Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)

Translated by Gilbert Murray.

"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. 

"Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)

Translated by Gilbert Murray.

There are clearly similarities between Tolkien's stories and the myths that inspired them. Let's take a look at Oedipus and see how similar and different his story is from Turin's.

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Welcome to season five of The Nietzsche Podcast! First of all, a warm thank you to all of my listeners and patrons who have helped to make this show such a phenomenal success. For our first episode in this new collection of episodes, we're diving headfirst into the Oedipus plays of Sophocles: Oedipus Rex & Oedipus at Colonus. Sophocles triumphed with the best tragedy at the Dionysia more than any other playwright, and Aristotle named Oedipus Rex the model tragedy. We will fully explore the tragic downfall of Oedipus, his redemptive last days at Colonus, and Friedrich Nietzsche's interpretation of the significance of Oedipus in Birth of Tragedy.

Episode Art: Jean-Antoine-Theodore Giroust, Oedipus at Colonus (1788), Courtesy of Wikimedia Commons

Sophocles was a friend of Herodotus and a contemporary of the other Greek tragedy playwrights Aeschylus and Euripides. He wrote over 120 plays and seven of those survive. The Theban Plays (Oedipus the King, Oedipus at Colonus, and Antigone) cover major events in the life of the mythical king Oedipus of Thebes and of his children.

In this podcast episode, I talk about the two Sophoclean plays about Oedipus and share what I learned about Sophocles’ discussion of prophecy, the Greek concept of a curse, and the little tiny light at the end of this disastrous tunnel of tragedy.

I read translations by David Grene, Paul Woodruff, and Robert Fagles.